ICONoclasts

 

 
 

Herndon Plaza – 142 Auburn Avenue NE, Atlanta, GA
August 1 – December 31, 2024

Photo Credit: Sam Bentley

A building-wide window installation by Marryam Moma & Antonio Darden spotlighting 6 of Atlanta's most influential Black figures: Alice Lovelace, Dr. Doris Derby, John Wesley Dobbs, Mtamanika Youngblood, Ricci de Forest, and Sue Ross.

Produced in collaboration with the Historic District Development Corporation (HDDC) and located at the historic Herndon Plaza, a landmark building in the heart of Sweet Auburn, ICONoclasts brings to life each icon’s story through Moma's signature collage work and Darden’s custom text-work with never-before-seen portraits and archival photographs, creating vibrant tributes celebrating the enduring impact these icons have made on Atlanta's artistic and social landscape.


Upcoming Programming


 

ICONOCLASTS ARTIST TALK

Wednesday, October 23, 2024
5:30 PM Doors Open
6:00 Artist Talk

Haugabrooks Gallery
364 Auburn Ave.
Atlanta, GA 30312

Join us for a conversation between ICONoclasts artist Marryam Moma and icons Alice Lovelace, Sue Ross, and Ricci de Forest. The group will be in dialogue about Moma’s practice, the makings of ICONoclasts, and the enduring impact each icon has made on Atlanta's artistic and social landscape.

 

Press


 

Photos by Sam Bentley


About the Artists


 

Photo Credit: Steve West

Marryam Moma

Collage-based Artwork

Tanzanian-Nigerian collage artist Marryam Moma intricately reconstructs repurposed archival paper and mixed media, to create vibrant narratives, delving into the complexities of the Black experience. She highlights Black bodies, their strength and joy, while challenging societal perceptions. Moma's work is a masterful tapestry of multidimensional stories. Her collages grace international corporate collections like Microsoft, Google, and Starbucks. Her global impact extends to TV programs and prestigious magazines. Departing from a Bachelor of Architecture degree and inspired by the mundane and extraordinary, Moma creates layered analog collages from apparently disparate elements that uplift and empower. Notably, Moma's analog collages are showcased in The New Brownies Book, the 2024 recipient of the NAACP Image Award for Outstanding Literary Work – Non-Fiction. Moma has exhibited in the US and internationally, creating works that foster understanding and inclusion.

 
 
 

Photo Credit: Michael Reese

Antonio Darden

Text-based Artwork & Fabrication

In 2006 Darden earned his BFA in Sculpture from Georgia State University. His work has been exhibited in shows in the United States, the United Kingdom, and Mexico. In 2022 Darden was awarded a Juror's Choice award at MOCA GA in a group show surveying the Georgia artists. In the summer of that same year he was named the Southern Prize State Fellow for Georgia by South Arts. He subsequently opened two consecutive solo shows in Atlanta. Darden most recently opened a two-person show at Swan Coach House Gallery in Atlanta, GA. He thereafter was named a finalist for the Forward Arts Foundations Edge award for 2024. His work has been collected by the City of Atlanta - Office of Cultural Affairs, the Atlanta University Center, and several other private collections. Darden's work has been reviewed in The Atlanta Journal-Constitution, ArtsAtl.com, and most recently in The New York Times. He currently lives and works in Atlanta, Georgia.

 
 

 About the Flora


 

ICONoclasts artwork of Dr. Derby by Marryam Moma


Flora and fauna elements have always been integral to Marryam Moma's vibrant visual stories and analog collage practice. In ICONoclasts, flora elements intricately connect to the personal narratives shared by the icons in interviews with Moma.

The Snowball Viburnum foliage in Ricci de Forest's collage grows natively in Cleveland, OH, right in front of the foster home where de Forest lived. The blue Dayflower in Alice Lovelace's collage, a Georgia native plant that blooms for just one day, mirrors Lovelace's early poetic practice of live recitations, capturing the essence of being present to experience her words. The Atlanta-native Rugosa Rose in Sue Ross's collage symbolizes her five decades of documenting Atlanta's Black community through thousands of candid photos of everyday people, activists, and musicians. The Red Columbine flower in Dr. Doris Derby's collage thrives in Mississippi's short springs and long hot summers, representing Dr. Derby's nine-year documentation of Black lives in Mississippi. Moma's use of floral elements goes beyond mere aesthetics, weaving in aspects of her subjects' lives that are deeply intrinsic to their stories.

 
Screenshot 2024-08-07 at 10.02.00 AM.png

 About the ICONs


Black_Color.jpg

Photo credit: Sue Ross

Alice Lovelace

Alice Lovelace is a cultural worker, teaching artist, poet, playwright, organizer, and arts administrator. She earned her Master's at Antioch University in Yellow Springs, Ohio.  

Alice began her journey as a cultural worker and a member of the Washington University Pan African Writers Workshop, and in 1975, they hosted her first public poetry reading. It was 1976 when she moved to Atlanta with her husband, Charles "Jikki" Riley, and five children. Alice founded the Southern Collective of African American Writers in 1978 with Toni Cade Bambara and Ebon Dooley. She served as its first president and conference coordinator. 

In 1979, she joined the staff at the Neighborhood Arts Center. She began her 35-year career as a teaching artist, with her first assignment teaching poetry to severe head trauma patients. In 1980, she began teaching at GA State Center for the Teaching of Writing, followed by work with Arts Councils in Georgia, Fulton County, the City of Atlanta, Alabama, South Carolina, Kentucky, and Mississippi.

1982 &1984, with Lesly Fredman and Glen Hilkey, she produced the "Art for the People's Sake Festival"-A three-week festival funded by the city of Atlanta, featuring 350 performances in non-traditional venues. In 1984, she co-founded the Women on Fire Performance Collective, and, beginning in 1988 at 7 Stages Theatre, she produced 3 installations of Café Medusa at 7 Stages Theatre. Cafe Medusa was a multi-stage, multi-disciplinary event centered on female creativity and entrepreneurship. 

By 1984, she was working with her husband, Jikki Riley, to open Atlanta's first coffee house and performance space, Bottomline South, in the space that once housed the first black bookstore in Atlanta.

In 1984, with Ebon Dooley, Alice founded the Southeast Community Cultural Center and opened the first Arts Exchange facility. She stepped up as executive director in 1986, where she went on to create the highly regarded summer arts institute, the first arts training for many of the current crop of Atlanta youth performing in films and on Broadway. 

Designed and produced the 1988 and 1999 ROOTS Festival at The Arts Exchange as part of the National Black Arts Festival. She also created and directed the New Forms Regional Artist Initiated Grant, a five-state program providing funding for arts in new forms and new spaces funded by the National Endowment for the Arts and The Rockefeller Foundation. In 1990, Mayor Jackson appointed her to serve on his historic Blue-Ribbon Committee on the Arts that convened and authored the ten-year arts blueprint for the city. That same year, after negotiating the purchase of the Kalb Street property from the Atlanta Board of Education,  Alice returned to her national performance and consultant work.

In 2006, Alice, Lisa Tuttle, and Barbara Nesin stepped in to reorganize and revitalize The Arts Exchange. In 2015, Alice returned to the role of board president, tasked with negotiating the sale of the Grant Park property and finding a new home for the arts center. The new facility under the name ArtsXchange opened in December of 2018. Since its grand opening on January 10, 2019, the rebranded ArtsXchange continues to grow in reputation and depth of community service.  

Today, Alice continues to serve the organization she helped to found 40 years ago as the executive director and development officer.

 
Black_Color.jpg
 

Photo credit: Abigail Bobrow

Dr. Doris Derby

Dr. Doris A. Derby was an activist, photographer, educator, and scholar, who spent ten years in the civil rights movement in Mississippi. Her life and career are reflections of her commitment to the arts as a means of uplift for African Americans. Engaging a grassroots, bottom-up approach, Derby used cultural heritage to address the problems and issues of every community she served, a strategy and philosophy that became the calling card of activists and the modern movement.

 

Photo credit: The Dobbs Family Tree

John Wesley Dobbs

Often referred to as the unofficial mayor of Auburn Avenue, John Wesley Dobbs was one of several African American civic and political leaders who worked to achieve racial equality in segregated Atlanta during the first half of the twentieth century.

Dobbs was born March 26, 1882 in Marietta, Georgia to Minnie and Will Dobbs and grew up in poverty on a farm near Kennesaw. In 1897, at the age of fifteen, Dobbs moved to Atlanta, where he pursued his education at Atlanta Baptist College (later Morehouse College). Though he never earned a degree, he continued his studies independently and passed a civil service exam in 1903, allowing him to become a railway mail clerk for the U.S. Post Office in Atlanta – a position he held for 32 years.

In 1906, Dobbs married Irene Ophelia Thompson, and they had six daughters, all of whom graduated from Spelman College. Then in 1911, J. W. Dobbs became a member of the Prince Hall Masons. In 1932, he was elected Grand Master of the Prince Hall Masons (a post he held for the rest of his life) earning him the nickname, “The Grand.”

Dobbs fervently believed that African American suffrage was the key to racial advancement. He announced a goal of registering 10,000 Black voters in Atlanta and preached the importance of voter registration in Masonic halls, in African American churches, and on street corners. Dobbs also founded the Atlanta Civic and Political League in 1936 and, with attorney A. T. Walden, cofounded the Atlanta Negro Voters League in 1946.

Black_Color.jpg
 

Photo Credit: Mtamanika Youngblood/HDDC

Mtamanika Youngblood

In 1992, Mtamanika Youngblood, a former BellSouth executive with an MBA from Atlanta University (now Clark Atlanta University), became the founding executive director of the nonprofit HDDC.

In her work with HDDC, she partnered with residents, banks, developers, and community agencies to revitalize the neighborhood without displacing residents or sacrificing historic integrity. Endangered homes were preserved and industrial spaces repurposed.

 

Photo Credit: Creative Mornings

RICCI DE FOREST

Ricci de Forest (pronounced REE–see), also known professionally as Ricci International (the "Acoustical Dandy"), is a hair stylist, beauty educator, and proprietor of the Madam C.J. Walker Beauty Shoppe and WERDStudio museum.

Ricci hails from Cleveland, Ohio, where he was raised in the foster care system from age 5 through 12. One day, one of Ricci's elementary school teachers noticed his creative capabilities and remarked, "Ricky [as he was known at the time], you're going to be another Mr. John." Ricci, unaware of who Mr. John was, researched the name and discovered Mr. John to be a renowned milliner. As reported in Mr. John's New York Times obituary, "in the 1940s and 1950s, the name Mr. John was as famous in the world of hats as Christian Dior was in the realm of haute couture."

Ricci began exploring other design innovators and fell in love with fashion. A girlfriend at the time submitted his name to a design school in Los Angles and soon Ricci found himself in the City of Angels studying fashion. But there was tuition to pay. When he ventured into a local department store, he watched a make-up artist there and thought to himself, "I can do that!" He put together a resume and was hired by Bullock's, a luxury department store on Wilshire Boulevard. Two weeks later, Ricci left design school and became a full-time make-up artist.

Black_Color.jpg
 

Photo Credit: Sue Ross

Sue Ross

After retiring from the City of Atlanta after 36 years, Susan J. “Sue” Ross now pursues her passion for documentary and fine art photography full-time as the PhotoGriot, Atlanta’s photo-cultural historian. 

Sue managed the City’s Small Business Development Program - training over 500 small, minority & female firms while serving as the unofficial city photographer over the administrations of the first six African-American Mayors. She is a founding member of Sistagraphy: the collective of African-American Women Photographers. 

Sue has exhibited her photography widely since 1985 with Zone III, Sistagraphy, African-Americans for the Arts (A-AFTA) and many others. Selected exhibits include “The World of Toni Morrison” at the Auburn Ave Research Library, “Sistagraphy Selects” at Buzz Coffee & Winehouse, “The Beauty of a Woman” at Haugabrooks Gallery, “Shero” at the Arts Xchange, “In Conversation - Visual Meditations on Black Masculinity” at the African-American Museum in Philadelphia and the Atlanta Jazz Festival public art exhibit Downtown. Her photo of Atlanta’s African-American Presidential Medal Honorees was the cover photo for Trendsetters to Trendsetters magazine. Her iconic photo SHEROES was featured in the FOR THE PEOPLE photo-mural exhibit along Auburn Avenue. Recently, Sue curated the BLACK HISTORY 365 exhibit at Atlanta City Hall. 


About Historic District Development Corporation (HDDC)


Founded in 1980 by Coretta Scott King, Christine King Farris and John Cox, HDDC is one of Atlanta’s oldest surviving community development corporations and the only non-profit organization specifically dedicated to preserving the availability of affordable housing in the Old Fourth Ward district. For nearly four decades, HDDC has been a catalyst for equitable urban revitalization in Atlanta. HDDC is proud to serve as the bridge between Sweet Auburn’s storied past and the Old Fourth Ward’s bright future. Founded to protect the residential assets surrounding Dr. Martin Luther King, Jr.’s birth site on Auburn Avenue, HDDC has demonstrated a concrete track record of success.

 

THE HERNDON PLAZA PROJECT

Located at 142 Auburn Avenue NE, The Herndon Plaza project pays homage to one of our great heroes of Sweet Auburn, businessman and philanthropist - Alonzo F. Herndon. 

As one of the most iconic buildings associated with the golden age of Sweet Auburn, HDDC is historically preserving Herndon Plaza. It is planned to host, among other uses, a museum celebrating black culture and its influence on Atlanta's history.

 
Screenshot 2024-07-10 at 5.17.02 PM.png

 Funding for this project was provided by AEC Trust, Atlanta Downtown/A&E Atlanta, and the Forward Arts Foundation.

This program is supported in part by the City of Atlanta Mayor's Office of Cultural Affairs.